The largest of the Dodecanese islands in the South Aegean region of Greece is the spearhead-shaped land of Rhodes, nicknamed the ‘Island of the Knights’ – after the Knights of Saint John of Jerusalem who ruled there in the 14th and 15th centuries. The island is lively by day and even more so by night in the touristic coastal towns, bristling with clubs and bars. In the midst of summer, the sweltering heat is omnipresent. The air is constantly thick, muggy, and dusty. The barren landscapes of the faraway hills are dry and topped with sparse shrubbery. The old town, with its harbour and the Palace of the Grand Master, displays fragments of its ancient past. Boasting historic buildings of strong stone, rows of traditional markets offering delicious local produce, and one of Europe’s largest waterparks – Rhodes is a fun and fascinating place to visit. It is full of character and authenticity, intently built on solid foundations.
Ashton's words: "I had a lot of fun when I went to Rhodes with my friends. I hope the music can capture that in some way. I know New Orleans and Greece are literally nowhere near each other, but hopefully this piece doesn't make it seem that way. The continual bass figure you hear - that's meant to represent the 'solid foundations' everything is built on."
credits
from Further Afield (Live),
released February 19, 2021
Solo Features: Will Markham (Piano), David Sear (Trombone), Francis Tulip (Guitar), Nathan Jones (Drums)
Alto saxophonist James Romaine worked with me in making Further Afield come to life, and his phenomenal sound and fluent improvising can be heard even more so on this awesome album of his. Ashton Smith
James Owston played bass for me on Further Afield and is an excellent, reliable, highly-skilled musician. Check out his music - the writing for nonet is fantastic. Ashton Smith
Vibrant, playful jazz in the chordless tradition from this new Australian quartet, who embrace both freedom and swing. Bandcamp New & Notable Feb 9, 2021